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Wildenstein Daniel Monet or the Triumph of Impressionism


No other artist, apart from J.M.W.Turner, tried as hard as Claude Monet to capture light itself on canvas. Of all the Impressionists, it was the man C?zanne called "only an eye, but my God what an eye!" who stayed true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of color. Whether it was through his early interest in Japanese prints, his time as a conscript in the dazzling light of Algeria, or his personal acquaintance with the major painters of the late 19th century, the work Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations was the late series of waterlilies, painted in his own garden at Giverny, which, in their approach toward almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential artist, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary.

3078 RUR

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Wildenstein Daniel Monet or The Triumph of Impressionism


Master of the sublime The essential Impressionist "This is the work on Monet; anything published before or after it will seem minor in comparison [...]. It is the only readily available publication that gives a complete record of Monet's work - in other words, it is definitive." -The Good Book Guide, London Along with Turner, no artist has sought more than Claude Monet (1840-1926) to capture light itself on canvas. Of all the Impressionists, it was the man Cezanne called "only an eye, but my God what an eye!" who stayed completely true to the principle of absolute fidelity to the visual sensation, painting directly from the object. It could be said that Monet reinvented the possibilities of colour, and whether it was through his early interest in Japanese prints, his time in the dazzling light of Algeria as a conscript, or his personal acquaintance with the major painters of the late 1800s, what Monet produced throughout his long life would change forever the way we perceive both the natural world and its attendant phenomena. The high point of his explorations were the late series of waterlilies, painted in his own garden at Giverny, that, in their moves towards almost total formlessness, are really the origin of abstract art. This biography does full justice to this most remarkable and profoundly influential of artists, and offers numerous reproductions and archive photos alongside a detailed and insightful commentary. The author: Daniel Wildenstein (1917-2001) was an art historian and member of the Academie des Beaux-Arts (Paris). From 1939 onwards, he was Director of the Wildenstein Galleries of New York, London and Tokyo. He edited several international journals, e.g. the magazine Arts from 1956-1962 and the Gazette des Beaux-Arts after 1963. He co-founded the Fondation Wildenstein in 1970 (it was renamed the WildensteinInstitute in 1984), and was a prime mover in many exhibitions of international repute. Daniel Wildenstein also edited the catalogues raisonnes of various 18th, 19th and 20th century artists. He was a world authority on Impressionism, and published catalogues of the works of Gauguin, Manet and Monet.

3036 RUR

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Monet's Water Lilies


Claude Monet was undoubtedly the most important of all the Impressionist painters and his water lily paintings represent the culminating moment in his career. Monet's famous garden at Giverny provided the inspiration for the paintings. The exhibition will bring to life the importance and beauty of this garden through a range of archival photographs, as well as an early, rarely seen film from 1915, showing Monet painting outdoors in his garden. Monet's Water Lilies will reunite the three panels of an exceptionally impressive water lily triptych, created by Monet between 1915 and 1926. The Nelson-Atkins Museum of Art, the Saint Louis Art Museum, and the Cleveland Museum of Art each own one panel of the triptych and the exhibition will offer a rare opportunity to bring the works together. This will be the first time that this reunion has occurred for more than 30 years. With the single exception of a triptych in the Museum of Modern Art, this is the only triptych by Monet in the United States. The exhibition will be on view in Kansas City April 9-August 7, 2011, before traveling to St. Louis. The exhibition will travel to the Cleveland Museum of Art in 2015.

1280 RUR

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Standish Burt L. Frank Merriwell's Triumph: or, The Disappearance of Felicia

This is Monet


Claude Monet is best known as a leader of the Impressionists, his paintings defining the style that triggered a revolution in art. During the eighty-six years of his life, Monet never rested, and was always driven by the urge to paint. And more than two thousand paintings survive from six highly creative decades. Despite being a celebrity among France's political and cultural elite, Monet never became complacent. Even in his seventies and eighties he was still producing paintings that astounded the art world. Monet's work remains highly influential—his abstraction, gestural strokes and expressive color capturing the imagination of generation after generation of artists.

1480 RUR

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Musee D'orsay


Celebrated the world over for its impressionist masterpieces, the Orsay museum keeps thousands of paintings, sculptures, and decorative art from the greatest artists of the second half of the nineteenth and early twentieth centuries. Rediscover the 300 most beautiful works of the Musee d'Orsay within the historical, aesthetic, and stylistic context of the time of Gustave Courbet to Paul Gauguin, van Gogh to Claude Monet, Auguste Renoir, Edgar Degas, Gustave Caillebotte, Berthe Morisot, Edouard Manet, Paul Cezanne, or Maurice Denis.

2160 RUR

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Oates J. The Triumph of the Spider Monkey

Impressionism. Ten in One


“These seductive books have slick production values, excellent illustrations, and smart texts. Each one is a fast-food, high-energy fix on the topic at hand." – The New York Times Book Review With blockbuster exhibitions, record-breaking auction prices, and packed museums, Impressionism remains close contender for the world's favorite period of painting. Its favorite subjects― from dappled harbor scenes and summer days to vibrant Parisian salons and gardens―brim with optimism and joie de vivre. The works once dismissed as unfinished or imprecise are now beloved for their atmospheric evocation of time and place, as well as the stylistic flair of rapid brushstrokes upon canvas. The lives and oeuvres of Impressionist pillars Cézanne, Degas, Gauguin, Manet, Monet, Renoir, Rousseau, Seurat, Toulouse-Lautrec, and van Gogh are each explored in-depth in TASCHEN's Basic Art series. Now, this volume combines all 10 monographs into one for the price of three. What we take for granted today―the relativity of perception depending on the viewer, lighting mood, or location to the object―was then the inspiration for some of the finest paintings in art history. Consider Monet's 30+ variations of the Rouen Cathedral, Cézanne's dazzling experimentation with color, Gauguin's primitivist innovations, or Manet's scandalous nudes: rarely has a single genre produced so many brilliant artists in such a short time.

4490 RUR

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John MacCunn Francis The Triumph of Virginia Dale


"The Triumph of Virginia Dale" by John Francis. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

0 RUR

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G. William Krause The Illustrated History of Triumph Sports and Racing Cars


The Triumph Motor Company is known around the world for its iconic sports cars. The hugely popular TR series, Spitfires, and GT-6s represent the quintessential British sports car; rugged good looks were combined with performance and economy at a price everyone could afford. These sports cars are always in demand and prized by British car collectors, racers, and open-air motoring enthusiasts. Triumph understood the connection between competition success and sales success and was able to parlay rally and road racing wins into the best-selling sports cars in the world, particularly in the United States during the 1950s and 1960s. The Works competition cars notched victories at Le Mans, Sebring, the Monte Carlo rally, and many others and inspired privateers to take their cars to the track. Every model came from a bloodline of racing.<p>In <i>The Illustrated History of Triumph Sports and Racing Cars</i>, Triumph historian G. William Krause reviews every model in the sports car lineup. He covers the history, design evolution, and performance specifications from the first sports cars in the 1930s through the final cars built in 1981. Throughout Triumph's history a number of pivotal moments could have significantly changed the company's fortunes. This book also looks at the «what if» cars that never made it into production, including photos. <p>Although they have not been built for more than three decades, their mark on sports car history is undeniable. Whether you're a fan of the spartan brutes of the 1950s or the refined comfort and performance of the last TRs, you will find the backstory of your favorites here.

1995.36 RUR

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Heinrich Christoph Claude Monet


Hailed the "Prince of the Impressionists", Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working "en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye. Monet's interest in this space "between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily series, as well as in paintings of poplars, grain stacks, and the Rouen cathedral, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment. This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art.

2250 RUR

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Monet


Hailed the “Prince of the Impressionists", Claude Monet (1840-1926) transformed expectations for the purpose of paint on canvas. Defying the precedent of centuries, Monet did not seek to render only reality, but the act of perception itself. Working “en plein air" with rapid, impetuous brush strokes, he interrogated the play of light on the hues, patterns, and contours and the way in which these visual impressions fall upon the eye.Monet&apos;s interest in this space “between the motif and the artist" encompassed too the ephemeral nature of each image we see. In his beloved water lily series, as well as in paintings of poplars, grain stacks, and Rouen cathedral, he returned to the same motif in different seasons, different weather conditions, and at different times of the day, to explore the constant mutability of our visual environment.This book offers the essential introduction to an artist whose works simultaneously reflected upon the purpose of a picture and the passage of time, and in so doing transformed irrevocably the story of art.

1890 RUR

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Wharton Edith Madame de Treymes and The Triumph Of Night


Edith Wharton (1862-1937) was an American novelist and short story writer. Her works show the lives of people of the late nineteenth century, the times of decline in American history. She was the first woman to receive the Pulitzer Prize for Literature in 1921. Wharton also was familiar with many famous people of the time, including President Theodore Roosevelt. This book includes two wonderful works of literature: the tale about love and divorce "Madame de Treymes" and a short story "The Triumph Of Night."

514 RUR

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Jeanne Lorraine Schroeder The Triumph of Venus

Andreas Bernard The Triumph of Profiling

Barbara Taylor Bradford The Triumph of Katie Byrne

Sherwood Anderson Triumph of the Egg

Mitford Bertram The Triumph of Hilary Blachland

Barbara Cartland The Triumph Of Love

Gabriele D'Annunzio The Triumph of Death

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